Bohag has arrived across Assam — the kalash of spring is in the trees, the air carries the green scent of kopou flowers, and village namghar courtyards host Bihu akharas — but this year the festival feels muted. The reason is simple and stark: Jubin Garg’s voice, long woven into the soundscape of Bohag and Bihu, is absent. Without that familiar singer, many say, the season’s usual intoxication and heat of celebration are dulled.
For generations, Bohag has been more than a season or a month; as Dr. Bhupen Hazarika famously put it, “Bohag is not merely a season, nor merely a month; it is the lifeline of the Assamese people, the pulse of public life.” That pulse, locals feel, is weak this year. The kopou may bloom and the drums may beat, but the special timbre that once stirred young dancers and filled nights with expectation is missing. Songs that once announced the arrival of spring — from “Nahoror Phular Botor” to recent Bihu numbers — are inseparable from Jubin Garg’s voice in the public imagination. When his voice is not heard over a distant microphone, evenings feel incomplete.
The absence is not only audible; it is emotional. On stage and off, where his presence used to spark cheer and a characteristic warmth, a hollow recollection remains. People remember the white shirt he would wear on Bihu stages, his impromptu climbs onto a branch or a lamppost to be seen by the crowd, and the way his singing drew dancers into a shared trance. This year, that sight and sound are missing, and many Assamese describe a sense of loss that goes beyond a single performer — as if part of Bohag’s character has slipped away.
Every year, anticipation for new Bihu albums and songs peaks before Bohag. For many, the first strains of “Nahor” or “Janmoni” in Jubin’s voice signaled that the festival had truly begun. His concerts once lent a refined tone to the fields and a magnetic pull for young audiences. Now the younger generation’s excitement feels tempered; the frenetic, carefree dance is less frequent and the familiar enthusiasm is subdued.
Assamese culture, its Bihu music and communal joy, continue despite the change. Yet this Bohag serves as a reminder of how closely a season’s spirit can be tied to a single voice. In the silence left behind, people are finding ways to remember, to sing, and to carry the festival forward — even as they long for the evening when that voice will again be part of Bohag’s song.
Original Source: https://prathamkhabartv.com/rongali-bihu-2026-assam-ready-to-celebrate-rongali-bihu-after-heartthrob-zubeen-garg-death/
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Publish Date: 2026-04-13 16:50:00
