Exclusive: Hrithik Roshan Defends Ranbir Kapoor’s Ramayana Amid ‘Bad VFX’ Buzz – A Style You Didn’t Expect?
Ramayana Teaser Sparks Digital Drama: Hrithik Roshan Rides to Filmmakers’ Rescue
In the lavish tapestry of Indian cinema, a new thread flaunts itself with the might and majesty of Nitesh Tiwari’s eagerly awaited Ramayana. As the teaser featuring the dashing Ranbir Kapoor as Lord Ram hit social media, it didn’t take long for the internet to launch into a frenzy of mixed responses. The VFX-considered by some as “video game-like”—has ignited a firestorm of debate that has social media ablaze.
But just when the critics thought they had penned a definitive critique, in strides Hrithik Roshan, the epitome of grace and insight, wielding a digital sword of support for the filmmakers. With the charm of a seasoned diplomat, he took to Instagram, his voice resonating through the ether like a clarion call to reason amidst the chaos.
“Bad VFX exists… but so does vision,” he proclaimed, capturing the essence of the tempest with his characteristic flair. While acknowledging that subpar visual effects can be a wrenching experience-especially for those involved-Hrithik redirected the conversation towards the courage and creativity that underline these monumental projects.
The actor, known for his own visions on screen, found inspiration in the brave endeavors of filmmakers behind epics like Baahubali and Kalki: “These special humans, these makers, are my heroes. They have the guts and vision to do what’s never been done-all for the love of cinema.” His words shone brightly-a reminder that behind every visual spectacle lies a colossal undertaking of artistry and ambition.
In a delightful nod to nostalgia, Hrithik reminisced about how films like Back to the Future had ignited his dreams. It’s this passion, he argued, that deserves not just applause but a deeper appreciation. “I am proud of my fellow Indians. What I would give to be a part of such dreams-even as an assistant!”
Navigating the nuanced landscape of VFX, Hrithik diplomatically differentiated between styles, suggesting that not every visual style aims for photorealism. He mused that viewers might prefer one aesthetic over another, but both have their rightful place in the cinema cosmos. “Bad VFX,” he delineated, is when the film promises realism but falters to deliver. Yet to critique a stylized choice as ‘not real’ is, in his view, wholly unfair.
“Maybe it’s just a style you didn’t expect?” he posited, urging audiences to rethink their critiques with an open mind. “So next time don’t just ask, ‘Is it real?’ First ask, ‘Is it right for the story?’ … Debate it. But debate it with awareness.”
As the glittering industry gears up for the grand Diwali release of Ramayana: Part I, featuring a stellar ensemble-including Sai Pallavi as Sita, Yash as Ravana, Ravie Dubey as Lakshman, and the indefatigable Sunny Deol as Hanuman-the discourse around the film catalyzed by Hrithik could not be more timely. In a world where the lines between digital spectacle and storytelling blur, the impending clash of visions is sure to be as riveting as the tale of Ramayana itself.
So, dear readers, grab your popcorn as the cinematic saga unfolds. This controversy is just the beginning, and the anticipation is palpable. Will the magnum opus soar to triumph or trip over its own visual ambition? Only time-and some dedicated cinema enthusiasts-can tell.
